Foreword by David Pagel, Professor of Art Theory and History at Claremont Graduate University from the book: The hands-on, labor-intensive integrity of his workmanship puts great demands on himself while at the same time inspiring us viewers to be our best selves—to pay attention to details—to see beyond the obvious, to sense what is invisible, to question what we have been told, and to think for ourselves. About the book: Chukes’ creative voice is captured in his new book Identity Theft that represents the majority of pieces he began working on since 2016 with a select few of them being exhibited in galleries around the world. Identity Theft introduces you to a body of work that was initially a protest against the televised brutality and killings of Black people and people of color in America and throughout the world. But the world changed in the past few years, and Chukes’ art evolved with it. His artistic representation is what happens when people or a nation of people are stripped of their indigenous identity and re-taught a history that has historically and maliciously filtered the truth, presenting incorrect versions of past and present injustices. Chukes tells the truth by bringing history to life in his art and commentary. What others are saying:  Cindy Urrutia, Ph.D.: “Chukes’ Identity Theft series has a clear, succinct message—the artist’s connection to people, emotions and the social-historical constructs of race and ethnicity.”  Auna Hearne, M.A. Art History, Univ. of Cincinnati with Garbo Hearne, Director, Hearne Fine Art Gallery: “Identity Theft leaves a definite impression and a sense of urgency to reclaim our history and educate ourselves. It is time for our cycle of greatness to emerge. Once again, Chukes has utilized his art form as a call to action and aesthetically moves us to a place of wonder.”